New 'Facent' Composing Challenge (CLOSED)

Network News
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Decided to re-do mine since we had the opportunity, and I like this one a bit better.

Since were also discussing the dialogue, l’ll go through how I processed mine. The outdoor iPhone audio was stem separated for vocals, just to get rid of any potential wind or random noise from outside, added very slight saturation and compression, then sent to the main vocal bus. The main vocal bus had a de-esser, a highpassed EQ, and medium compression. It’s side chained to the music bus, which has an EQ reduced at 3khz to give the dialogue more presence.

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Good point about ducking the bed behind the vox. Wish I had thought to do that, I could have gained 3 or more db across the bed, especially on the longer arp parts. Thanks for the tip.

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Hey Bob.

No, there is no max loudness for submissions and no need for a DAW generated timecode.

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Thank you Simon I’ll submit soon.