Hey everyone! Just wanted to drop a piano / cello track i made with Storm Cello!
Tried a more dramatic feel on that one, hope you guys like it!
I plan on making a sequel eventually ![]()
Spot on Matt your compositional work has described to me a storyline that’s both emotional and beautiful which could be befitting of a sound track to a film. Well done.
Thanks a lot Michael! My main goal in composing is trying to tell a story, so im really glad for your feedback ![]()
Thank you for taking time to comment David. Much appreciated. ![]()
A picture can paint a thousand words. So has your music combined with your video painted a myriad of words. This is a poignant composition which has told an exceptional touching story. Well done Enlimila I very much enjoyed it.
‘Imminence’ - the village is under attack …
Hi Guys
This music set to an (imagined) attack scene on ‘the village’.
Thanks for listening.
As always, feedback and constructive criticism is very welcomed and appreciated.
Lee
日本から愛をこめて!!
いい曲だ! ギターの音色ほんまに好き
Hi, Welcome!! Nice guitar playing!
This is a remix of “Crash” originally by Kennedy Wilde for the In the Mix remix competition.
Just sharing my entry I just completed for the In The Mix remix challenge.
I used Pocket Strings and Venom from Crow Hill on the track along with mostly plugins from UJAM and Universal Audio.
I am a trap/drill producer/rapper based out of Chicago, Illinois USA. I would describe my production style as “Wave Trap”.
Listen closely, on the track I used foley sound FX that I recorded of a power line substation corona hum put through a trance gate and a vacuum cleaner sucking up a plastic shopping bag. (originally recorded for the Venom rescore “trailer trash” challenge)
I didn’t have time to do this and the pocket strings challenge though unfortunately LOL…had to prioritize the project that was more in my wheelhouse.
Hi Michael!
Thank you so much for these kind words ! I am glad you enjoyed it. Thank you for taking time to comment. ![]()
ありがとうございます嬉しいです ![]()
サンキュー
Nice work Lee, I enjoyed the story as it progressed musically, image in my mind was of 1066….
1066 - that’s an interesting take (I wonder if the non-Brits know that one ?)
Thank you for the great feedback. It’s much appreciated.
L
Very classy, with a good buildup and excellent use of voices. With your simple description, I was able to imagine a band of raiders sweeping through and some slow motion scenes of ravaging playing out. Well done, sir.
Hi Pat
Thanks for your great feedback. It’s most appreciated.
I do hope there wasn’t too much ‘ravaging’ - I am English after all ![]()
Thank you. Lee ![]()
@christianhenson has provided a fair bit of the elements for this composition. It is driven by Tina Guo Cello in the end section and a fair bit of Fractured Strings in the early part plus Hammers providing the bigger percussion elements and Eric Whitacre some of the choir parts.
I didn’t say “ravishing”… and you’re the one who dropped the hints that gave me imaginings of a Viking raid on some small village.
Btw, 1066 isn’t just something folks on your side of the pond would remember. Without it, Dermot wouldn’t have had the mercenary de Clare available to come to his aid 103 years later… and Irish history could have been very different. ![]()
Nice one - point taken on 1066
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The most recent composition titled “Tales”. I used short and long strings from Pocket Strings, among others and “dusted off” Korg Triton.https://soundcloud.com/v-tech-117424998/tales
My demo version of the Pocket Strings challenge submission. The way I understood the rules, I wasn’t allowed to even use automation in Cubase, much less effects. This version, however, has volume automation, global reverb, and on the vintage synth tracks I use effects from Lunacy Audio’s BEAM plugin. Stream Pocket Strings demo (revised from challenge submission) by cmopatrick | Listen online for free on SoundCloud . Still short, but I think it better reflects what I originally imagined.